Great Artists

Bruegel

Great Artists episode 18 – Bruegel

Great Artists episode 18 – Bruegel: the life and work of Pieter Bruegel the Elder, generally considered the greatest Flemish painter of the 16th century, whose works remain among the most distinctive examples of Renaissance art, combining gritty humour with political comment.     Tim Marlow reveals how Bruegel was influenced by the period of immense social change in which he lived.   Great Artists   This major 26-part series takes a fresh look at the most important artworks of some of the greatest artists in history. Shot on location in over fifty museums, churches and palaces throughout Europe and […]

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Mary Cassatt

Great Artists episode 11 – Mary Cassatt

Mary Cassatt is one of only a handful of women artists up to the beginning of the twentieth century who have managed to forge a reputation in the male dominated story of art history.     She was an American by birth but lived in France for sixty years and helped to develop the first great movement in Modern art – Impressionism. In works such as The Boating Party, Cassatt articulates her bold, vivid vision. Great Artists   This major 26-part series takes a fresh look at the most important artworks of some of the greatest artists in history. Shot

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Whistler

Great Artists episode 9 – Whistler

Whistler Whistler was the first great international American artist, hugely well travelled, a painter and printmaker who bridged the gap between Impressionist Paris and symbolist London. He was an intelligent and original artist who radically proclaimed that art rather than documenting the visual world around us – should be experienced for its own sake.     His Arrangement in Grey and Black, a portrait of Whistler’s mother, is one of the great portraits in the history of art, not least for its elusive title. Whilst his Nocturne Black and Gold, was thought so radical that Whistler had to go to

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Giotto

Great Artists episode 1 – Giotto

Giotto Giotto di Bondone, the son of a Tuscan shepherd. Born in 1267, Giotto began his apprenticeship at the age of 12, and with his naturalistic treatment of medieval Christian iconography, was recognised as the first in a line of great painters and architects who contributed to the Italian Renaissance.     Giotto’s contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was “the most sovereign master of painting in his time, who drew all his figures and their postures according to nature” and of his publicly recognized “talent and excellence”. In his Lives of the Most Excellent Painters,

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