Landscape Artist Of The Year 2026 episode 9 opens not with a competition but with a homecoming — an unveiling ceremony at the National Gallery of Ireland in Dublin
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Landscape Artist of the Year 2026 episode 8 brought everything to a head at one of the most extraordinary and challenging locations the competition has ever chosen: the Falkirk Wheel, Scotland’s iconic rotating boat lift
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Landscape Artist Of The Year 2026 episode 7 delivers one of the most dramatically charged instalments of the entire series, placing six talented artists in front of a striking location and demanding that they translate what they see into finished work within a strict four-hour window.
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Landscape Artist Of The Year 2026 episode 6 arrives at a pivotal moment in the competition, delivering one of the most atmospheric and emotionally charged heats of the series so far. Six artists gather at a location steeped in natural drama, each competing for a place in the semi-final
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Landscape Artist Of The Year 2026 episode 5 transported ten accomplished artists to one of London’s most distinctive floating landmarks, challenging them to capture the essence of HMS Wellington within a compressed four-hour timeframe.
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Landscape Artist Of The Year 2026 episode 4 brings contestants to the dramatic slopes of Skiddaw Mountain in the Lake District, where towering peaks and sweeping vistas create one of Britain’s most formidable artistic challenges.
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Landscape Artist Of The Year 2026 episode 3 opens with a striking visual challenge that few painting competitions dare to present: Europe’s busiest ferry port, captured from the iconic White Cliffs of Dover.
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Landscape Artist of the Year 2026 episode 2 brings viewers to one of Britain’s most iconic settings, where Buckingham Palace rises behind the carefully manicured grounds of St James’s Park.
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Landscape Artist Of The Year 2026 episode 1 marks a triumphant return to the screen, blending the serene beauty of the British countryside with the high-stakes pressure of a prestigious televised competition.
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Navigating without modern technology is a lost art, but for Stephen Mangan, Sue Perkins, and Alison Steadman, it becomes a thrilling challenge. In this episode of All Roads Lead Home, the trio abandons their maps, compasses, and GPS devices, relying solely on nature’s clues to traverse the landscapes of the UK and Ireland. The sun’s position, the patterns of tree growth, and even the humble sheep droppings become their unexpected guides, each offering subtle hints to keep them moving in the right direction.
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All Roads Lead Home episode 2: Stephen Mangan embarks on a deeply personal journey. He travels to the heart of Ireland, a land etched in his family’s history. This isn’t just a trip; it’s a pilgrimage. Stephen is joined by two cherished companions, the ever-charming Sue Perkins and the wonderfully witty Alison Steadman. Together, they set out to rediscover Stephen’s roots. They aim to connect with the very places his parents once called home.
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What if you had to navigate across the country without a map, a compass, or even a smartphone? No GPS, no road signs—just the natural world around you, whispering clues in the form of the sun’s position, the tilt of the trees, or the way sheep droppings scatter across a path. Sounds impossible? That’s exactly the challenge facing Stephen Mangan, Sue Perkins, and Alison Steadman in the first episode of All Roads Lead Home.
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