Art

Smart Secrets of Great Paintings episode 10 – Wassily Kandinsky: The roots of “Colourful Life” (1907), just like those of Vassily Kandinsky himself, were firmly anchored in age-old Russian soil. And yet the painting contains all the elements that were to accompany the painter in the greatest revolution in the history of art: the leap into abstraction.This documentary examines Kandinsky’s rejection of Western thought and efforts to preserve Russian culture during modernization. He contracted typhus during a trip to study peasant life; his feverish hallucinations inspired the work that evokes a forgotten golden age sought after by Russian Symbolist painters

Smart Secrets of Great Paintings episode 9 – Eugene Delacroix: As the war of colonization raged in Algeria, Eugene Delacroix was the first French artist to cross the Mediterranean. The naturalism of “Women of Algiers in Their Apartment,” painted in 1834, takes us into the calm and simplicity of a harem as Delacroix saw it with his own eyes. This documentary looks at his attempts to counter Orientalist fantasies of Middle Eastern women held by European society and discusses his admiration of Lord Byron. It also details his journey through Morocco and Algeria as part of a French diplomatic mission,

Smart Secrets of Great Paintings episode 8 – Elisabeth Vigee Le Brun: As the French Revolution approached, Louise Elisabeth Vigee Le Brun painted the queen’s portrait in an attempt to win back public opinion. This documentary examines the historical and social context in which “Marie-Antoinette de Lorraine-Habsbourg, Queen of France and Her Children” was painted. It analyzes the work’s composition and symbolism in terms of motherhood and political legitimacy, and attempts to counter the queen’s reputation for debauchery. It also includes a discussion of Le Brun’s background, Italian and Flemish influences, and her unique position as court portraitist in a

Smart Secrets of Great Paintings episode 7 – Francois Clouet: “A Lady in Her Bath” (circa 1571), by Francois Clouet, bears witness to a period in which the pleasure of the senses and the spirit were caught up in religious conflict. It gave rise to the despotic canons of beauty. Official painter to Charles IX, Francois Clouet is considered the French master of portraiture. In this year 1571, he has just put the finishing touches to a canvas as beautiful as it is enigmatic: seated in her bathtub, half-naked, is a woman of Diaphanous beauty; behind her, a rough-featured nursemaid

Smart Secrets of Great Paintings episode 6 – Paolo Veronese: In “The Wedding at Cana”, Paolo Veronese transposes the biblical tale of Christ’s first miracle to the scene of a sumptuous Venetian banquet. This documentary explores the historical context of 16th century Venice, a wealthy and politically stable city in which artists such as Veronese, Titian, and Jacobo Tintoretto were granted freedom from religious censorship. It looks at Palladio’s architectural influences, presents a theory that “The Wedding at Cana” may represent the crowning ceremony of a Doge’s wife, and examines how Veronese combines the sacred and profane in his works.

Smart Secrets of Great Paintings episode 5 – Jean Fouquet: With a tiny and delicate paintbrush, Jean Fouquet adds the golden threads of a tentative humanism to “The Martyrdom of Saint Apollonia” (circa 1450) and unveils a glimmer of the modern era, crouching behind the horizon of the Middle Ages. This film analyzes the illumination for clues of what Fouquet sought to convey to viewers. Completed for a book of hours commissioned by one of Charles VIII’s financial advisors, it portrays Apollonia’s martyrdom as a mystery play- theatrical performances of Biblical stories popular in medieval towns- to distance viewers from

Smart Secrets of Great Paintings episode 4 – Quentin Metsys: 16th century Antwerp was like 1950s New York. The city of craftsmen and fishermen at the entrance to the North Sea became a leading finance hub, facilitated by European exploration and new trade routes. This work by Quentin Metsys is a subtle criticism of that world and its era, warning about the flow of money when it is detached from all forms of religious and moral considerations. This film examines the influences of Jan Van Eyck and Leonardo Da Vinci on the work; analyzes composition, painting technique, and object symbolism;