Picasso’s Last Stand

Picasso's Last Stand 

Picasso’s Last Stand: documentary revealing the untold story of the last decade of the great artist’s life, through the testimony of family and close friends – many of them the people he allowed into his private world in the 1960s. As his health declined in these final years, Picasso faced damaging criticism of his work and intimate revelations about his bohemian lifestyle for the first time.


 

 



And yet, in the midst of disaster, he rediscovered his revolutionary spirit with a creative surge that produced some of his most sexually frank and comic work. Exhibitions of the new style horrified and disappointed contemporaries. But now his biographer Sir John Richardson and granddaughter Diana Widmaier Picasso argue that this last enormous effort produced some of his greatest and most profound art: the stunning counter-attack of a protean genius coming to terms with old age.

 

Picasso’s Last Stand

 

Pablo Ruiz Picasso was a Spanish painter, sculptor, print-maker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d’Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian airforces during the Spanish Civil War.

Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art.

Tags: , , ,
Scroll to Top