The Great British Sewing Bee season 1 episode 2

The Great British Sewing Bee season 1 episode 2

The Great British Sewing Bee season 1 episode 2 – Claudia Winkleman, the charismatic television personality, is at the helm of an engaging and vibrant series, where she puts some of the most talented home sewers across the nation under the microscope. These talented individuals are put through their paces, testing their sewing prowess and their aptitude in the nuanced craft of dressmaking. Their collective goal is a prestigious one – to earn the title of the finest amateur sewer, an accolade that is decided upon by a distinguished panel of judges.



Among the experts residing on this panel are May Martin, a leading figure from the Women’s Institute, an organization known for its long-standing tradition of craftsmanship and domestic arts. Sharing the panel with her is Patrick Grant, an esteemed tailor from the world-renowned district of Savile Row. Together, they bring a combination of traditional and high-fashion expertise, setting the highest standards for the competition.



In this gripping edition, the competition has now been whittled down to six resilient contestants. They find themselves having to navigate through a trio of new challenges, each one more demanding than the last. The first hurdle they must overcome involves a detailed pattern for men’s trousers. A formidable task, it pushes their skills and their understanding of the art of tailoring to its limits.

Notably, the tricky business of tackling a fly fastening seems to confound most of the competitors. Despite this shared hurdle, they strive on, demonstrating their passion and dedication to their craft. Next, they are given the task to add patch pockets to an ordinary high street skirt. This exercise invites the sewers to employ their creativity and innovation, and the results are nothing short of imaginative. It’s a testament to their ability to blend practicality with aesthetics, transforming the commonplace into the extraordinary.

In the final challenge of this riveting episode, the sewers are asked to craft a bespoke silk blouse, tailored specifically for their chosen models. The task is daunting, given the notorious difficulty of working with such a slippery fabric. Despite their best efforts, the fabric proves to be a considerable obstacle for two of the competitors, resulting in their unfortunate elimination from the programme. Thus, the episode concludes with a mixture of triumph and disappointment, further intensifying the anticipation for what lies ahead in the series.


The Great British Sewing Bee season 1 episode 2


The art of sewing is stitched into the fabric of British culture. From the invention of the sewing machine by Thomas Saint in 1790 to the Make Do and Mend campaign during World War 2, sewing has long played an essential role. In recent years, interest in home sewing and dressmaking has seen a revival, with people seeking the satisfaction of creating something with their own two hands.

The Great British Sewing Bee tapped into this reemerging pastime when it premiered in 2013. Hosted by the effervescent Claudia Winkleman, known for her trademark heavy fringe, the show shined a spotlight on the nation’s most talented amateur sewers. Claudia’s vivacious presenting style brought fun and sparkle to the challenges. Meanwhile, the expertise came from judges May Martin, representing the Women’s Institute which had long championed sewing, and Savile Row’s Patrick Grant, bringing authority from the world of high fashion. Each week, contestants flexed their sewing skills to win the ultimate prize of being crowned Britain’s best home sewer.


Claudia Winkleman takes the GBBS spotlight

As host of the Great British Sewing Bee, Claudia Winkleman radiated infectious enthusiasm. While not a sewer herself, she keenly followed each stage of the competition. With her quick wit and humor, Claudia helped put the sewers at ease and drew out their personalities. This allowed audiences to connect with the human stories behind the stitches.

Claudia Winkleman’s career has spanned television, radio, and print media. She is perhaps best known as co-host of the celebrity dance show Strictly Come Dancing. With her trademark heavy fringe hairstyle, Claudia brings sparkle and fun to everything she does. As a working mother, she also speaks openly about the challenges of balancing family and career. Her warmth and candor are part of her broad appeal.

On the Sewing Bee, Claudia clearly relished learning from contestants about pattern cutting, draping, tailoring and more. While not afraid to crack jokes, she also knew when to step back and let the sewing take center stage. With her light and breezy presenting style, Claudia Winkleman proved the perfect choice to showcase the skill, creativity, and passion of Britain’s best amateur sewers.


May Martin upholds the WI sewing tradition

As one of the Sewing Bee judges, May Martin brought a wealth of sewing experience. She learned to sew as a child in the 1940s, developing her skills through making her own clothes. This instilled a lifelong passion for sewing and dressmaking.

May spent many years teaching sewing, including at the Women’s Institute (WI). The WI has long championed sewing, knitting, baking and other homemaker skills. Started in 1915, it provided rural women with education and companionship. During wartime, WI members played a key role in Make Do and Mend campaigns. Sewing and mending clothing, rather than buying new, allowed scarce resources to be used for the war effort.

Through her WI training, May Martin learned how to sew beautifully finished garments. Attention to detail, precision cutting and good finishing were hallmarks of her approach. She firmly believed sewing should be both practical and elegant. May brought this blend of creativity and mastery to her judging role. While gently spoken, she did not hesitate to point out imperfections that let down the overall look. Along with co-judge Patrick Grant, May assessed the contestants’ skills and helped them improve.


Savile Row’s Patrick Grant raises the bar

Patrick Grant, judge alongside May Martin, represented a more modern perspective honed in the world of high fashion. As an accomplished tailor and designer, he brought exceptional expertise to the Sewing Bee. His London-based Savile Row tailoring house Norton & Sons epitomizes the pinnacle of bespoke menswear.

Patrick trained first as a tailor in the 1980s before expanding into fashion design. His own label E. Tautz specializes in ready-to-wear menswear, combining Savile Row quality with a more relaxed sensibility. Patrick is deeply knowledgeable about cut, construction and finishing. On the program, he used this knowledge to set high expectations for the amateur sewers.

Like May, Patrick looked for neatness and attention to detail in the finished garments. But he also understood how to push the sewers creatively. Patrick encouraged them to embrace color and play with shapes and silhouettes. His feedback was always insightful and respectful. He wanted to see each amateur develop their skills and confidence. Like bespoke tailoring, sewing requires dedication to perfection and learning from mistakes. Patrick’s expertise and encouragement allowed the sewers to evolve throughout the competition.


Sewing a fly fastening flummoxes sewers

In the second episode of Season 1, the sewers faced three very different challenges. The first required them to work from a paper pattern to create a pair of men’s trousers. For many, the trickiest part proved to be sewing the fly fastening on the front.

A fly fastening is the flap-and-button structure that closes and conceals the front opening of trousers and jeans. It ensures a clean, smooth look rather than exposing the trouser placket underneath. The basic steps involve stitching the flap over the left trouser front, and adding small reinforcing bartacks at the corners. Buttonholes and buttons then fasten the flap in place.

While a fundamental technique, sewing a tidy and sturdy fly fastening takes practice. On the trousers, most contestants struggled with neatness around the overlap and flap. Uneven stitching and puckering fabric revealed their lack of experience. May and Patrick had to demonstrate how to neatly topstitch the fly and achieve clean finishing.

For the sewers who rarely tackled trousers, this first challenge proved eye-opening. The judges’ feedback helped them understand key details like stitching direction. Though daunting at first, practicing the fly fastening gave them valuable new skills to apply in future projects.


Patch pockets test creativity on a pencil skirt

After the technical challenge, the sewers had a chance to showcase their creativity. Their task was to enhance an existing high street pencil skirt by adding patch pockets. This seemingly simple challenge allowed for almost endless possibilities.

Patch pockets are sewn onto the outside of a garment rather than cut into the piece like traditional side seam pockets. They can have a plain rectangular or squared-off shape, or incorporate more innovative shapes, sizes, pleats or flaps. Patch pockets provide both aesthetic and functional details to enliven a garment.

The sewers embraced this design challenge with great imagination. One added a pair of curved patch pockets reminiscent of a heart shape. Others played with contrasting colors to make the pockets stand out. One sewer highlighted her pocket with red piping along the top edge. Inside the pocket, she stitched a tiny floral liberty print that matched the skirt lining.

May and Patrick were impressed by the creative touches and neat execution. By thinking beyond basic rectangles, the sewers demonstrated flair and skill. Customizing store-bought pieces is hugely rewarding for home sewers. The patch pocket challenge showed how even small embellishments can transform ready-made into distinctive.


Made-to-measure blouses test precision sewing skills

For the final challenge, the sewers worked with professional models to create made-to-measure silk blouses. Moving beyond commercial patterns to make something bespoke required precision fitting and cutting. Slippery silk fabric added to the difficulty.

Successful made-to-measure garments rely on an impeccable fit. The sewers had to carefully measure their models and translate this into customized pattern pieces. Compared to pre-sized commercial patterns, drafting and cutting your own pattern allows a perfect personal fit but removes room for error.

Working with silk chiffon or crepe was also tricky for some sewers. Silk has beautiful drape and sheen, but the thin, delicate fabric can be challenging to control. Neat, accurate seams and hems require extra care and finesse. Raw edges easily ravel so neat finishing is essential.

For two sewers, the slippery silk proved their undoing. One ended up with a disastrously uneven hem after forgetting to account for the dress stand height. The other struggled to match pattern pieces correctly, resulting in twisted side seams. Though disappointed, they took their elimination in good spirits and gained valuable learning.


Conclusion: The creative spirit of sewing lives on

The Great British Sewing Bee reminds us that sewing is so much more than just stitching seams. It is a creative outlet, a valuable life skill, and a connector of communities. In our busy modern era, taking time to craft something with care taps into the deep human satisfaction of working with our hands.

The spirit of resourcefulness and creativity that sewing represents remains timeless even as fashions change. Sewing allows self-expression and environmental sustainability through mending, altering and making our own. Just as the WI sewers upheld the nation through wartime thrift, sewing continues to teach patience, imagination and perseverance.

As The Great British Sewing Bee illustrates, sewing lives on as a fulfilling and meaningful tradition. It sparks joy, builds confidence and brings people together through a shared passion. With its mix of fun and expertise, the show invites us all to rediscover the artistry and pride in sewing.


Frequently Asked Questions


Who is Claudia Winkleman?

Claudia Winkleman is a British television presenter and radio personality best known for hosting Strictly Come Dancing. She brought her lively and engaging presenting style to The Great British Sewing Bee.


What is the Women’s Institute’s history with sewing?

The Women’s Institute (WI) has championed sewing, knitting, baking and home skills since 1915. During the World Wars, WI members contributed to Make Do and Mend campaigns, sewing and mending clothing to conserve resources for the war effort.


What experience does Patrick Grant bring as a judge?

As a Savile Row tailor and fashion designer, Patrick Grant brings exceptional technical knowledge around garment cut, construction and finishing. He encourages contestants to refine their skills and evolve creatively.


Why was the fly fastening tricky to sew?

Sewing a tidy, well-finished fly fastening on trousers requires careful topstitching and reinforcing. Many contestants struggled with neatness as they were inexperienced with this technique.


How did patch pockets allow creativity?

Adding customized patch pockets to a basic skirt allowed contestants to showcase their creativity through pocket shape, embellishments, contrasting fabrics and more.


How can I watch The Sewing Bee?

The Sewing Bee is on all over the world, streaming free . International viewers can watch previous seasons online through services like

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