Impressionists episode 1 – Édouard Manet

Édouard-Manet

Impressionists episode 1 – Édouard Manet: impressionists and their circle have become the international superstars of Western painting. But whilst their popularity is greater than ever, it is easy to forget the revolutionary nature of the Impressionists’ art. In this series, Tim Marlow takes us on a journey through the great art movement of the late nineteenth-century and explores some of the most beautiful paintings ever created.


 

 



Édouard Manet is often cited as the father of Impressionism, and yet he stubbornly refused to show with them and was careful to maintain an aesthetic distance from Monet, Renoir and others. He looked down on them, preferring his own departure from the traditional art forms.

 

Impressionists episode 1 – Édouard Manet

 

Édouard Manet was a French modernist painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism.

Born into an upper-class household with strong political connections, Manet rejected the future originally envisioned for him, and became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass  and Olympia, both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet’s life saw him form bonds with other great artists of the time, and develop his own style that would be heralded as innovative and serve as a major influence for future painters.

Édouard Manet was born in Paris on 23 January 1832, in the ancestral hôtel particulier (mansion) on the rue des Petits Augustins (now rue Bonaparte) to an affluent and well-connected family. His mother, Eugénie-Desirée Fournier, was the daughter of a diplomat and goddaughter of the Swedish crown prince Charles Bernadotte, from whom the Swedish monarchs are descended. Father, Auguste Manet, was a French judge who expected Édouard to pursue a career in law. His uncle, Edmond Fournier, encouraged him to pursue painting and took young Manet to the Louvre. In 1841 he enrolled at secondary school, the Collège Rollin. In 1845, at the advice of his uncle, Manet enrolled in a special course of drawing where he met Antonin Proust, future Minister of Fine Arts and subsequent lifelong friend.

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