Looking for Rembrandt episode 2: As Rembrandt paints his most iconic work, The Night Watch, his wife Saskia lies dying. Her death begins a ten-year decline in Rembrandt’s output as he pours himself into etching instead. Many etchings are erotically charged, perhaps a result of an affair he has begun with his infant son’s nursemaid.
However, that relationship ends with her being committed to a house of correction – a punishment Rembrandt himself apparently played a role in. These moral and sexual ambiguities bleed into other works. Although he finds new love and happiness with a new housemaid, he finds that he has become Amsterdam’s most notorious marital embarrassment.
Further shame comes for Rembrandt in 1656 as his debts become unmanageable. No longer able to make enough money from his paintings now that he is starting to fall out of favour and fashion, Rembrandt declares bankruptcy. It is an act that will come to define him even in the centuries after his death.
Looking for Rembrandt episode 2
At the end of 1631 Rembrandt moved to Amsterdam, then rapidly expanding as the new business capital of the Netherlands, and began to practice as a professional portraitist for the first time, with great success. He initially stayed with an art dealer, Hendrick van Uylenburgh, and in 1634, married Hendrick’s cousin, Saskia van Uylenburgh.
Saskia came from a good family: her father had been a lawyer and the burgemeester (mayor) of Leeuwarden. When Saskia, as the youngest daughter, became an orphan, she lived with an older sister in Het Bildt. Rembrandt and Saskia were married in the local church of St. Annaparochie without the presence of Rembrandt’s relatives. In the same year, Rembrandt became a burgess of Amsterdam and a member of the local guild of painters. He also acquired a number of students, among them Ferdinand Bol and Govert Flinck.
Looking for Rembrandt
In 1635, Rembrandt and Saskia moved into their own house, renting in fashionable Nieuwe Doelenstraat. In 1639 they moved to a prominent newly built house (now the Rembrandt House Museum) in the upscale ‘Breestraat’ (eng.: ‘Broadway’), today known as Jodenbreestraat (Jodenbreestraat 4,1011 NK Amsterdam-now) in what was becoming the Jewish quarter; then a young upcoming neighborhood. The mortgage to finance the 13,000 guilder purchase would be a primary cause for later financial difficulties.
Rembrandt should easily have been able to pay the house off with his large income, but it appears his spending always kept pace with his income, and he may have made some unsuccessful investments. It was there that Rembrandt frequently sought his Jewish neighbors to model for his Old Testament scenes.
Although they were by now affluent, the couple suffered several personal setbacks; their son Rumbartus died two months after his birth in 1635 and their daughter Cornelia died at just three weeks of age in 1638. In 1640, they had a second daughter, also named Cornelia, who died after living barely over a month. Only their fourth child, Titus, who was born in 1641, survived into adulthood. Saskia died in 1642 soon after Titus’s birth, probably from tuberculosis. Rembrandt’s drawings of her on her sick and death bed are among his most moving works.
